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damnhotmsimmons · 5 months ago

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17x05-Conspiracy vs Theory

I meant to post this a while ago but I got sidetracked and busy

Elias on the BAU floor

Oh look at Rebecca

And Rebecca looks so hot

The team being so pissed and Elias being smug

Where's Rossi?

Lmao with Elias calling out to Rossi. Why is he so fun to watch

I knew Elias would taunt the team and get off of rubbing his presence in their faces, especially Rossi as he knows he's still traumatized

Poor Rossi in his office and he's hearing Elias call out to him

Elias telling Emily her plan is idiotic

Matt so would be disgusted especially if he knew about Elias being a dad and Elias brings up his family

Damien not being the one who says "yes"

Garcia needing minutes to ping a location

Tara teasing Elias about not being able to bluff

Elias saying he needs a computer and the team won't allow that

so Garcia has to go "assist" Elias and being annoyed about breaking ethical and legal rules in the case. I bet she still doesn't forgive Emily about the phone earlier

Rebecca saying she didn't hear anything Garcia said

I appreciate Luke being there for Garcia

I don’t think Garcia forgives Emily for that

Rebecca was so done

Luke telling Elias to "behave"

Elias agreeing to Emily's plan and jokingly saying he'll talk slowly

So he's comparing Damien to Frankenstein's monster

A difference between conspiracy and conspiracy theory

Damien being selected by a private military company sending him on missions that mirrored his trauma

10 year psychological project

Not Elias asking again

Damien not answering till two hours later. Elias being relieved that he's not going back.....for now

A darknet site called codecarriers

So it's not a trap...

Something tells me that Damien will notice Garcia trying to trap him

Elias, shut up, you're distracting Garcia and Garcia don't listen to him

Emily saying she'll risk it

Elias snatching the mouse away from Garcia

Garcia being scared, she did not deserve that

Everyone having their guns on Elias

But he already clicked on the site

Elias and Damien talking

Damien needing proof

A quote from Mary Shelley

Jade also overhearing their conversation

Feels wrong to see Elias on the jet

The sneak peek of them on the jet

They all look rightfully pissed

I love how in awe Elias was seeing the jet and how it was actually real

I love their glares

Why do I feel like something bad is gonna happen? Like their plan will backfire either cause of Elias or Damien or something else?

Ugh, Elias saying "Wheels up" how dare he

Emily and Tyler interacting again

So Emily has Tyler try to locate Brian

Brian looking pissed

Its suddenly daylight

The team and Rebecca being so annoyed at Elias

I love how Luke and Rebecca are sitting next to each other

Not Elias bringing up Tyler Green. I thought he was gonna bring up Bailey until he said "self-defense"

So Elias' lawyer told him about Garcia and Tyler's relationship

Tara comforting Garcia and Luke telling Elias to shut up but he won't

JJ finally saying "fuck"

Tynelope? Technically people use Greencia

I did not expect JJ to say fuck in that situation as i was expecting it when she and Emily were arguing or something

So Elias is a garvez shipper?

Rossi going up to Elias

Confess?

Is Elias trolling Rossi?

Elias taunting Rossi about the shipping container

"I'm sorry" yea he was trolling them

Rossi not accepting his apology

Emily questioning Brian

Elias feeling "betrayed"

Emily speaking Russian and calling Brian a "useful idiot"

Jade answering the call and demanding to speak to Elias

more of JJ in charge please

Elias talking to Jade

She's distracting him while she's walking through the park

Jade feeling "betrayed" by Elias

Jade saying North Star

Elias saying he knows why Jade inks herself

Garcia begging Luke to give him the backup. This better not be another rehash of 16x05 and 16x06 or I'll be pissed

Jade had it worse at Stuart House than Damien

Jade is her own protector

Careful Luke

Garcia borrowing Rebecca's phone and she gives it to her with no hesitation

Elias knows that Jade won't pull the trigger as he knows she still needs something from him

Garcia using Rebecca's phone as a jammer but it'll cut the phone off with Jade

Elias baiting Jade

Shit

Garcia successfully jamming the phone call but at a cost of ending Jade and Elias' phone call

Garcia and Rebecca are relieved

Elias what is he doing?

Elias surrendering?

Rossi punching Elias, I wished he also got to punch Brian for ruining Emily's life

Brian having no empathy for ruining Emily's life even when he mentions "Theresa"

Who the fuck is Theresa and how does Tyler know her? Why is he still going behind everyone's back and not tell anyone who Theresa is and how he knows her? This could've helped the team and Emily

Elias being smug in his cell means something bad and he still has the upper hand against the BAU

The team exiting the elevator and returning to the BAU floor

Tara's little hair flip when turning to seeing Rebecca in the elevator

Rebecca still worried about how she almost lost Tara

Rebecca going from "I'm not going home" to "I don't want to be alone"

aww, Tara comforting Rebecca in the elevator and Rebecca resting her head on this shoulder. This tebecca moment is so soft and everything. The show better not fuck things up again or I'm gonna throw hands

Emily smoking means something bad happened

Director "not Coulson" Madison benching Emily after the arrest reports got leaked, fuck Brian Garrity and the guys responsible for the setup

Emily telling Rossi that he's in charge. I wished JJ was the one in charge especially as she's proven herself so many times and it's clear Rossi dislikes being in the leadership position

I did not expect Emily wanting Rossi to get Elias "assassinated" but considering all the bad shit that has happened since s16 and the gold star case, can't blame her for wanting him dead even if this will only make things worse cause of Elias being a manipulator, his network still active and Elias' lawyer being dangerously competent

Emily losing everything from this case

Ugh, I hate seeing her cry, Rossi being the team dad and comforting her. Fuck Elias and Brian for all their horrible bullshit and ruining Emily's life

it speaks volumes that guys like Elias and Brian manage to ruin Emily and JJ's successful lives and careers with ease

Brian made himself more despicable than Elias Voit despite him not being a killer. At least

After 17x05, I want to give both JJ and Emily a hug and protect them from all the terrible shit that has happened to them and go after the ones who ruined their careers and lives

I worry that Elias pushing for Garvez will only give Garcia more reasons to avoid getting together with Luke especially if it's not just cause of her willingness to be happy in a stable relationship with a guy who truly loves her but also cause she wants to spite Elias and not give him the satisfaction of seeing them together

#criminal minds #criminal minds evolution #cm evolution #cm 17x05 #cme 2x05

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astranne · 2 years ago

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hii, can i req the characters reactions when we leave the abyss after a 36 stars run? like, would they be traumatized or just laughing bc it was easy?

my usual team is zhongli, ningguang, xiangling and bennet (some would say it doesn't work, but it does!), but imagining other characters would be cool!

STARS IN THE ABYSS sagau!genshin

notes // hi hi anon, first of all, thank you for the request!! i think the idea is super awesome, which i why i'm thinking of making this a series, yall can ask team comps and i'll write their reactions. i hope you don't mind <33

navigation // stars in the abyss

Zhongli

He would be very worried, the abyss is not to joke with. Which is why he makes sure his jade shield protects all his team mates.

He would be also irritated with Bennet and Xiangling here. Both of them are very young and he worries for them.

Zhongli knows Ningguang can hold her own, yet he can't help to worry for her too. She is one of his after all.

Ningguang

She would be asking herself and the higher beings why she's here. She isn't made for fighting, especially not in the abyss. Oh, she may have a vision, but does she look like a fighter to you?

Ningguang is too worried for the two pyro vision holders, she knows Xiangling but never heard of Bennet before. Both of them are great supports, which is why she and Zhongli look that both of them don't fight too much.

A run in the abyss always leaves her tired for the next few days, but she prides herself with surviving the abyss, and this several times.

Xiangling

She is very optimistic and tries to hide her discomfrot behind big smiles. Because yes, visiting the abyss regularly to fight monsters makes her uneasy.

But she's very happy she has Lady Ningguang with her, and even Zhongli. Both of them are very strong, and with Zhongli's shield, she has nothing to worry.

She even bonded with Bennet, the boy from Mondstadt. They are both pyro vision holders, and he was easy to befriend. Together, with her friends she tries to forget the horrors of the abyss, but sometimes it gets a bit much. Not that she'll ever tell anyone.

Bennet

Bennet fears his life in the abyss, but he tries to be strong, so he can be a great support for his teammates.

He has no idea how he lands in the abyss everytime, but he slowly became used to it. And it wasn't that scary so many times and always with Mister Zhongli and Lady Ningguang by his side. They wouldn't let anything harm him, he felt quite safe with them.

And in the end, they always come out. Thanks to his support, Xiangling's reserve food, Mister Zhongli's shield and Lady Ningguang's very deadly stones. He is very thankful for that and often tells them so.

In the end, the four formed an unusual but great friendship. Ningguang reached out to Zhongli outside of their fighting in the abyss, seeking his wise words and advice. They often visited Xiangling in her restaurant and would invite Bennet too, together with his friends from Mondstadt.

ASTRANNE 2022

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keirametzbrassknuckles · 3 years ago

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I still maintain that the reason Eskel died was because of Thue backing off the project. From all the shit that Lauren said:

It looks a lot like Eskel was going to be a completely different character until the later, if not last, stages of pre-production. This explains the totally OOC everything (beyond of course the monster posession).

Also fuck you. The death changed NOTHING for Geralt. He was sad for five minutes. If that.

The relationships between the core five (Geralt, Vesemir, Lambert, Coën, Eskel) was already cheapened by the presence of a good 10 other Witchers in the Keep. The five of them are the last of a dying breed/race/creed and in BOE you really get this sense of the vastness of the space they inhabit and try and fill with just the five of them - how much and how many are missing. Yeah we would have expected the proverbial 'Joe' to die but when you fill the keep with 'Joes' and then kill them all anyway later that argument holds NO FUCKING WATER.

Here's the intro of the Kaer Morhen Great Hall that exemplifies what I'm talking about:

There's only three of them, sitting at a table meant for ten. The desolation of that image... hoo boy.

The thing that triggers the need to understand what's going on with Ciri in the books is that she gets drunk on white gull and predicts that Coën and Geralt are going to die - something that presents a speciffic and time-sensitive concern. Having show Eskel turn into a fucking monster and die does NOTHING to further that thread. What does he have to do with Ciri besides having been awful to her for all of two minutes?

In my reading a lot of BOE and the series at large is about perceptions and prejudices; self perception, the way others perceive you based on prejudices, the ways you want to be perceived etc. And Eskel is Ciri's first real introduction to that. She, traumatized and jaded child, nearly screams when she first sees him:

And then she learns that he's actually human, that, besides that, he's actually an incredibly understanding and kind human. I think that that experience influences the way she looks at people for the rest of her life.

So fine, Eskel is a minor character in the books and the games. Fine, there's very little to work from (unless you're in fandom and used to creating an insane amount of character centered fic from the grand total of three chapters). Fine, TWN has more money than God and can do whatever they like with the source material. But we can still get fucking mad about how badly this fucks with the very purpose the original character served in the source material and thereby how it drops a major thread within the overarching narrative.

#also 'i know that there are fans that love eskel'#as though he’s not fucking universally adored by even the dudebro game fans #im drunk and not coherent but im furious #lauren... honey... i know it was a stressful year and you had a kid and stuff happened #but also... I kind of hate you a lot #twn #anti twn #the witcher #the witcher spoilers #I'll put this under a readmore when im on my laptop again #im two bottles of wine in forgive us

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metalandmagi · 4 years ago

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Winter 2021 Anime Worth Watching!

Since 2020 basically sacrificed itself to give us the most stacked anime season of all time, I’m currently buried under the weight of almost 20 shows airing per week. So for anyone who’s looking for some anime to watch this winter, here’s some first impressions! I’m speed running my list this time by only talking about the new shows...because otherwise this would be my great American novel.

If anyone’s interested, I have master lists for both 2020 anime and 2019 anime, because there’s no shortage of fun things to find.

New Shows!

And before anyone asks, So I’m A Spider, So What? isn’t on here, because CG spiders freak me out.

Cells At Work Code Black: This...less comedic spin off of Cells At Work (made by a different studio) takes the wholesome concept of Osmosis Jones meets cute anime girls and turns it on its head. In this much more depressing version, we follow a rookie red blood cell who works in the body of an overly stressed, alcoholic smoker who puts every strain on the body imaginable. I love Red Blood Cell AA2153 and his co-workers, but man am I glad we get the regular Cells At Work airing this season too, because I need something fun and uplifting after seeing my sweet son go through hell every episode.

*Heaven’s Design Team: Have you ever wondered how God came up with some of the weird ass animals that live on this planet? Like, what’s the deal with giraffes? And why can’t we have dragons and flying horses? Well this is a comedy about the engineers and designers in heaven creating the new animals that are going to inhabit the Earth. That’s it, that’s the show. It’s kind of in the same vein as Cells At Work, having comedy blend with a surprising amount of educational information. If you want something light and funny, this is the show for you (though I don’t think it needs to have full length episodes). I’m just hoping there’s an episode about how the hell the platypus was created. Also it’s the only new one available on Crunchyroll.

Horimiya: A romantic comedy about a girl named Hori who fits the image of a perfect queen bee and a quiet bespectacled boy named Miyamura who never makes an impression at school. When the two meet by chance outside of the classroom, we see that Hori is practically raising a younger brother by herself, and Miyamura is actually a sweet guy who happens to be covered in tattoos and piercings. This show is an exercise in breaking down the images people have of others in their minds, and it’s a concept that really hits home in a fun and meaningful way. Honestly, this has become one of my immediate favorites. The characters have great chemistry, and I can’t wait to see more of them!

Monster Incidents (Kemono Jihen): When big shot Tokyo detective Inugami is called to a rural town to investigate a series of strange animal deaths, he finds a mysterious boy with the nickname Dorotabo who has been shunned by the other children in town. As the detective gets closer to Dorotabo, he discovers that there may be more...inhuman secrets to the boy than he realizes...and Dorotabo discovers that Inugami has some secrets of his own. This is a hard show to sell without spoiling the first episode, but it had twists and turns that kept me engaged from start to finish. I’m really interested to see where the plot goes, because I thought this was going to be something totally different just from the PV and series summary. If it plays its cards right, this could be a great paranormal detective show!

Wonder Egg Priority: A psychological drama about a girl named Ai who starts having dreams about a mysterious egg that promises to give her what she wants most in the world...a true friend. Before long, she begins to see how the dream world and reality are tied together, and trippy antics ensue. It’s hard to say more without spoiling anything, but I had to go back and add this one in because I made the mistake of thinking it was an OVA when it’s actually a full series. And what a series it’s starting out to be. This anime has all the psychological discomfort of a Satoshi Kon product with the beauty and style of something from Kyoani (even though it’s made by Clover Works). It’s really one of those anime you just have to see to understand.

Sk8-∞ (Skate the infinity): An original skateboarding anime from Bones, featuring a typical sports anime protagonist who takes a new transfer student who has never skateboarded in his life under his wing. Together they compete in dangerous races and take the skating community by storm. The character designs rival Appare Ranman’s in outlandish creativity, and I can smell the main characters’ ship dynamic a mile away (considering they’re exactly the same as the protagonists from Robihachi). If you’re looking for some wild and crazy fun with top notch skateboarding animation, don’t skip this!

2.43: Seiin Koukou Danshi Volley-bu (Seiin High School Boys Volleyball Club): Yes, it’s another volleyball anime. And no, it’s not just a clone of Haikyu. This story follows Yuni Kuroba, a physically built but emotionally weak teenager who finds out his childhood friend Hajime is moving back to their hometown for high school. Yuni discovers Hajime has become an exceptional volleyball player and they join their school’s volleyball club hoping to turn the unknown team into a rising star. If anything, this anime is much more like Stars Align or Free, where the sport is a backdrop for letting the characters explore their personal problems. Or at least it seems that way after the first episode. I went into this show ready to throw it in the trash because how could anything compete against my beloved Haikyu, but I found myself really enjoying the dynamics of the main duo and I’m curious to see what the rest of the team is like.

And speaking of sports anime rip-offs…..I can’t believe I’m including this but…

Skate Leading Stars: The show where the animators clearly wanted to design another throw away idol anime but saw how popular Yuri On Ice was so they decided to make whatever the hell this show is instead. It revolves around a fictional team sport called skate leading, and we follow the world’s most insufferable main character, a former figure skater named Kensei who wants to return to the ice and join his school’s skate leading team after he finds out his childhood rival is going to compete in the sport. Look, this show is just trashy enough to get a certain type of audience hooked, and it mainly has to do with the best boy of the winter season, Hayato Sasugai, the aspiring team “coach” who pulled most of us into watching this show with his punk appearance, snide comments and smug personality. He’s basically the lovechild of Izaya Orihara and Shizuo Heiwajima in a high school sports anime setting. The show treats itself with the perfect amount of sincerity to get away with being absolutely ridiculous most of the time without making you feel like you’re watching it from a dumpster...like Try Knights. You will know after one episode whether this show is for you. All I can say is, Hayato is worth the watch, and I haven’t seen any 3D animation used for the skating scenes (yet) so that’s a win for me.

Honorable mention:

Jobless Reincarnation ( Mushoku Tensei): Yet another isekai where the main character is hit by a car (big surprise) and gets reincarnated into a fantasy world...but he happens to remember his previous life and narrates himself growing up as a jaded adult. I’m only including this because it looked amazing animation wise, and I love the opening where getting hit by a car and dying is actually traumatic. And I love the protagonist’s parents (who are retired adventurers who just want to bang all the time). But honestly...the main character is the fucking worst, and I don’t know if I want to keep watching it because of how creepy and weird he is. Like...he’s the hit on your fantasy mom as a baby kind of creepy and weird. But for anyone who wants a cool looking isekai that had an amazing PV, it’s worth checking out.

Continuing Series!

Because the real gold of the season is in all the established anime getting their next seasons, I’m just going to list some of the things that are also amazing and definitely worth checking out if you haven’t already (because I’ve already talked about most of them at some point and don’t know what else to say).

Attack On Titan season 4

The Promised Neverland season 2

Beastars season 2

Log Horizon season 3

That Time I Got Reincarnated as a Slime season 2

Re: Zero season 2 (second cour)

Dr. Stone season 2

Cells at Work season 2

Osomatsu-san season 3 (second cour)

Higurashi New (second cour)

Jujutsu Kaisen (second cour)

Not to mention all the shows I don’t watch that everyone else loves...like World Trigger (which I have seen quite a bit of, but long shounen shows are too much for me now) Quintessential Quintuplets, and Non Non Biyori.

So there’s just some of all the anime airing this season. Hopefully, someone can find something they like. Here’s to a great year...well, of anime at least...

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mutopians · 3 years ago

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the next animated/live action (but preferably animated, because it fits the vibes more) tv show that dc should make should be a monster of the week tv show where billy batson learns magic from john constantine. i know this is primarily a fanfiction idea, but the show really does have potential. here's some fun shenanigans that could occur:

(i also don't know john constantine's lore all that much, but i like the idea of a grumpy, jaded magic man taking on an apprentice that's as much of a handful as he is. pot meets kettle.)

if this version of billy hasn't been adopted yet, he ends up with john while he's still living on the street. john tries to parent him, but he's not, uh, the most responsible person out there. when billy does get adopted/fostered by the vasquezes, he has to hide his whole mentorship from them. he'll last three episodes max before freddy finds out, four episodes before darla does, and four and a half before darla tells all of their siblings.

this, of course, means that john becomes a weird wacky uncle. which, honestly, who wouldn't want that? he sounds like he'd be a riot at holiday dinners.

if this is the version of billy that's already been taken in by the vasquezes, he tries to keep the whole thing with john a secret and lasts even less time before. or he's keeping the siblings secret from john, who would only take on one apprentice at a time.

(needless to say, that doesn't last all that long.)

the monster of the week each episode blends bits of billy and john's respective lores, so you get a healthy mix of less terrifying enemies and absolutely horrifying and traumatizing ones. fun for the whole family!

justice league shenanigans, obviously.

and secret identity shenanigans, depending on how quickly billy reveals that he's captain marvel to john + his family + the justice league.

there can be special one-off episodes where the two get called in as john & billy or john & marvel to solve magic issues in other towns. this lets viewers see their other dc faves, like the batfam, arrowfam, flashfam, etc.

the big bads each season are usually in groups, and almost always involve one of john's villains and one of billy's.

i know less about zatanna than i do about john, but she strikes me as the slightly more responsible type. so if the need arose and john theoretically got kidnapped, billy could go running to her for help. bonus points if she takes awhile to find out about marvel, and extra bonus points if she figures it out five minutes into talking with him.

i just think dc has a cool, underutilized cast of magic characters at their disposal, and it would be really hecking neat if dc explored the magic side to their fictional universe.

#billy batson #captain marvel #shazam!#john constantine #shazamfam #zatanna zatara #dc's magic gang #freddy freeman #darla dudley #justice league #jl

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stop-breaking-my-heart-telltale · 3 years ago

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One of my favorite narrative choices/interpretations in twdg is how tied together Clementine’s “death” scene and Lee’s death are. Yeah sure, there are the obvious visual parallels but that’s not exactly what I’m talking about.

For the longest time, I was one of the people who always shot Lee, y’know? It just makes sense, you can’t let Lee become a walker, it’s so much more tragic for Clementine to be the one to put him down. Clearly shooting him is the right answer. After all, the player percentages don’t lie.

But then years passed and I eventually played the other route where I asked Clementine to leave Lee, and I am no longer one of those people.

Don’t get me wrong. Both endings make me cry. They’re powerful in different ways, but there’s something about the way that leaving Lee to turn into a walker can affect an interpretation of TFS and Clementine as a character.

[note: this turned into a bit of a Clementine character analysis and it’s long and I’m sorry that this is the way I am]

Y’see, having played through the series as much as I have, I’ve grown to love this narrative that you can build leading back to this choice and the ways it stuck with Clementine over the years, and subsequently affects the way she raises AJ.

When you ask Clementine to leave Lee, he gets the chance to give her a little more advice and it get progressively heavy:

Lee: You can leave me. It's okay.

Clementine: You'll be just like them.

Lee: It's okay. It won't be me.

Clementine: Lee...

Lee: Clem, it's time to go. You gotta get out of here.

Clementine: You can come with me.

Lee: No, honey, I can't. It's okay.

Clementine: Please?

Lee: You have to go, now.

Clementine: Maybe...maybe...I shouldn't let you turn.

Lee: I don't want you to have to do that.

From here, you have a set of options that allows Lee to explain why she shouldn’t shoot him: Shooting people changes you and Lee doesn’t want Clem to get used to that, she can remember him alive as her last memory of him rather than her shooting him, she should save the bullet, or the noise will draw more attention than it’s worth.

After that, depending on your choices, he’ll further explain himself. I usually get:

Lee: Pulling the trigger of a gun and ending a life, Clem...you feel yourself lose something every time. The first time, the most. Don't do it unless you absolutely have to.

Clementine: I'll go. I'll...leave you. I'll go as fast as I can.

Lee: And as safe as you can. Always be safe.

Lee is barely breathing at this point, he can’t keep his eyes open, he looks like he’s on the verge of turning into a walker at any moment. Clementine, gun her in her little hands, turns to him and one last time, asks him not to go.

Like… the whole scene is more than enough to make you teary eyed.

There are a lot of reasons for making this choice, most of which you’re allowed to explain through Lee. Some people have a more logical take on this by saying that it doesn’t matter if Lee turns or not, Clementine isn’t in danger with him chained up, therefore she doesn’t have to waste a bullet in killing him. That bullet might be the difference between life and death in the future.

Then there’s a more emotional approach of not wanting Clementine to be the one to have to kill Lee, forever traumatizing her even further after everything she went through with the stranger and her parents. Lee can’t ask her to do that, he can’t force this little girl to kill him just so that he won’t turn into a walker. It’ll change her.

I like to think it’s all of the above. Lee’s made sure that he can’t get to her, she’s armed and knows how to protect herself, and he cares more about her having an extra bullet that could save her life rather than wasting it on him when no matter what, death is inevitable for him. It’s like what he says about Larry if you tried to save him:

“It's like with Larry, honey. He was goin', one way or another. But at that moment I couldn't do more violence. You have to be careful about that. It'll consume you.”

She shouldn’t do that if she doesn’t have to. Lee has no idea what’s going to happen after he dies, if he’ll just be dead and gone or if part of him will remain as a walker, or something else. He reassures her that the walker left in his place won’t actually be him, but no one actually knows that. Yet, that doesn’t matter, he cares more about Clementine than himself at this point.

But what does this choice do to Clementine?

Sure, she doesn’t have to live with the fact that she killed the man who swore to protect her, even after she was indirectly responsible for him getting bitten in the first place. He asked her to leave him there, to let him become a monster, to leave before she could see him like that. He makes sure she knows that this was the right thing, the best thing for everyone, and I do think she believed him, or at least want to, in that moment. Underneath her grief and stress of the worst day of her life, she at least had Lee’s last words to her and his reassurance that she’s going to make it through this.

But then we move onto the other seasons, and Clementine isn’t the little girl she was in the first season. Season two is pretty much summed up with: “Clementine does ANYTHING and gets punished for it.”

She goes through so much shit in S2. You can try to make all the morally good choices you want and Clementine will still end up getting slapped around, people she grows to care about fall dead all around her, and she gets a lot of blame for it. She’s forced to kill a dog that attacks her, Kenny lashes out at her more than once, blaming her for Sarita’s death no matter what you do, she can’t save Sarah, she couldn’t save Luke, everything is falling apart and by the end, everyone’s fucking dead with the exception of either Jane or Kenny, depending on you choices.

Clementine carries all this shit with her, like Kenny and Bonnie telling her that just because she’s a little girl, she thinks she can get people killed and it’s okay since she’s sorry. Of course she’s going to internalize all of it and bring it back to Lee. She has conversations with Kenny where she’ll open up about how it was her fault he died. Kenny, for all his faults, will usually try to reassure her that it wasn’t.... but then pulls the shit he does so y’know... mixed messages that help no one.

But by the end of it, no matter what ending you get, little newborn AJ is left in Clementine’s care.

From all of this, we know that Clementine tends to blame herself for the deaths of those she cares about, which is traced back to Lee. It’s when we get to ANF that her tune changes a bit. She’s jaded, bitter, selfish, and Lee was right..... all of this violence did change her.

I mean, she just fucking shoots the guy who traded her bad bullets, and while she didn’t mean to... she still pointed a loaded gun at his head and pulled the trigger, something Lee taught her to never do unless she had to. Then, she wants Javi to cover for her, to lie... and if you don’t, because hey murder and lying bad, she gets upset and tries to make Javi feel like an asshole for telling the truth rather than validating her actions.

When I say ANF Clementine is my least favorite, it’s because her behavior, while it makes sense, is so frustrating and unbearable at times. It making sense doesn’t excuse it.

She steals, lies, pulls several Kennys where she gets pissy when you don’t do what she wants you to, is willing to assist in Lingard’s death if it benefits her without even considering any other options or what a dark place he’s in, and she’s at a point where she just assumes everyone around her will inevitably die or leave her. That’s just what happens, that’s why she’s alone, and as a means of coping, she tries to spin it this way to alleviate some of the pain she’s had thrown at her for years.

Now, ANF Clementine isn’t all bad, she has a lot of redeeming moments where the Clem I knew in the past two seasons will shine through. You as Javi can help her grow and get onto a better path than the one she was goin’ down. She makes friends with Gabe, which is important since as far as we know, she hasn’t had a friend close to her age since Sarah. She has hope again after David tells her AJ survived, and she has more than just survival on her mind.

It’s just.... it’s sad to think that she’s at a point where she seems to have momentarily forgotten Lee’s final words to her. And when I think about it..... this behavior would almost make more sense if she DID shoot Lee, y’know? But in this timeline we’re discussing, she didn’t, she left him to turn and he gave his reasons for why he wanted that... but she still ended up this way. Nothing he could say or do could’ve prevented that.

But at the end of ANF, Clementine has one goal: get AJ back.

Through all of this, through ANF and before the events of TFS... I truly believe that Clementine lost herself.

She’s forgotten a lot of the things Lee taught her, she’s forgotten about her parents in the sense of “what would they think if they saw me now,” she’s overwhelmed with all that bad that those good things, that hope she had, has been put on the backburner.

She’s been forced to live in a world that’s cruel to you no matter if you’re “good” or “bad”, and that can put you into that selfish mindset where you tend to just disregard everyone you don’t have any emotional connection to, and even then, people you’re close to will get the same treatment, whether intentional or not. It’s unflattering, unlikable, and the only reason more people don’t see that is because it’s Clementine.

It gets to a point where she has a few different paths she can go on, and right now, she’s on a destructive one.

I think through knowing the Garcia’s, she was put on a better path but she’s still lost. She’s hyper focused on getting AJ back. Nothing else matters, nothing will stand in her way, and that leads to a breaking point in her character.

So...the McCarroll Ranch flashback is a thing.

The varying interpretations of this scene are interesting to discuss.

Some will say Clementine was continuing her extremely selfish and destructive behavior when she found the ranch in flames and was willing to commit more murder in order to get AJ back, even if it meant traumatizing him with the death of his caretaker, and if she had shown up earlier before they were under attack, who knows how far she would’ve gone to take him away.

Others say no, that Clementine found the ranch compromised, she was acting in self-defense when she shot Eddie and AJ’s caretaker, Helen. It was either her or Clementine, as Helen was pulling a gun out when she spotted Clem, who reacted accordingly. If she hadn’t shown up, perhaps AJ wouldn’t be alive right now. We don’t know.

For me, it’s a bit of both. She finds the ranch and panics because yeah, it’s on fire and there are assholes running around, shooting the place up. She holds Eddie at gunpoint, demanding to know where the kids are. He thinks she’s another asshole raider and even tells her that he’s not gonna let her take a kid, and she kills him. She doesn’t try to explain herself, she just demands the info and kills him. It’s not great, but yeah, he would've hurt her if she didn’t kill him.

Then, she hears Helen talking to AJ, who is in the locker. I don’t know why she didn’t say anything. There isn’t an option to. Maybe she thought silence was the more peaceful route, or it would give her an upper hand. But, then Helen hears here and panics, pulls out a gun, and Clementine shoots her.

This is the moment.

She shoots this woman in the children’s room, and after examining her body, realizes that she was the one caring for AJ. Clementine is looking over this woman, and you get pieces of her thoughts like-

“She was taking care of him”

“I had no choice”

“I’m sorry”

Then, Clementine finally gets what she’s longed for- she has AJ back... and he’s covered in blood, sobbing, terrified of her. She coaxes him out of the locker and he sees his caretaker dead on the floor.

This scene, with Clementine looking at the body, walking through rubble and fire to put AJ in the car, he’s staring up at her with this unfamiliar look in his eyes.... and she stops for a second...

I truly feel like this is the moment where Clementine is suddenly hit by everything all at once, and she’s actually questioning, “Oh god..... who am I? How did I get here and what have I done?”

She did all of this for AJ, and now she has him, so it was worth it, right? Everything she did was a necessary evil and it was worth it... right?

... but imagine if Clementine did inject Lingard, killing him. She assisted in a man's death to get here. Was taking his life necessary? If you know how the choices work, then no, it’s not. But Clementine doesn’t know that.

If you stopped her, then she still gunned down several people to stand where she is. She’s has left AJ so wounded by killing Helen, and while we know she didn’t have a choice in the moment, AJ doesn’t understand that. He doesn’t even recognize Clementine and she can see that in the way he looks at her.

“Pulling the trigger of a gun and ending a life, Clem...you feel yourself lose something every time.....”

TFS is where I think Clementine has found herself again and that’s why she’s more balanced and likable, and there are more references to Lee and her parents.... yeah, I know it’s mostly the writers doing it for fanservice and to make us cry, but I’m choosing to look at it in the narrative rather than with that intention.

Clementine has AJ back, she’s been raising him the best way she can, she’s taught him to use a gun since he needs to protect himself, and Lee taught her when she was little, too. She’s taught him to read, taught him survival techniques she’s picked up, all that. She’s also more playful with him, she smiles more. She’s not a bitter 13-year-old like in ANF. Survival and safety is #1 and her attitude is mostly serious, but she isn’t afraid to tease or be a little silly.

But here’s the deal..... usually when I replay the series, I’ll leave Lee to turn but I’ll have Clementine tell AJ that if she ever gets bit, he’ll shoot her.

“What?” I hear you say. “But... haven’t you been rambling on and on about how murder bad and how leaving Lee was better because she didn’t have to live with the fact that she killed him?? but you want AJ to?? CJ you make no sense!”

I know that, but allow me to elaborate. Remember, this is all my interpretation after years of replaying this series. This is the narrative I find most enjoyable. This is my Clementine and the way I interpret her.

So, Clementine listens to Lee and leaves him to turn into a walker. He tells her that it won’t be him, he’ll be dead and gone, save the bullet. Yeah, yeah, I already covered this. But remember my “what does this do to Clementine?” question?

I swingin’ back to it because I didn’t really answer it directly, now did I? It’s basically followed up with another question: What if Clementine comes to regret leaving Lee instead of shooting him?

She herself even says that maybe she shouldn’t let him turn, and he tells her he doesn’t want her to have to do that. She listened to him, and left him behind to turn into one of the monsters that tore their world apart. She’s lived with the fact that she’s the reason Lee was bitten, that he died.... but there was always another thing that pricked needles into her guilt: Lee’s a walker. He’s going to spend the rest of eternity as a walker handcuffed to a heater. There is the big possibility that no one will ever find him, will never kill this walker version of him.

Was that the right thing to do?

I don’t know about you, but the walker debate is kinda fun to explore, and oh boy, do they try to explore it in TFS.

It’s easy for us to be like “Nope, there is nothing to walkers because they’re dead. Nothing human is left behind. Leaving Lee is fine.”

…but then I have to ask, why did most people shoot him when the episode released? Why do people still pick that option? You don’t want Lee to be a walker, but at the same time, it’s actually fine because nothing about him would be left behind?

Is it because you couldn’t handle seeing him as a walker and didn’t know if the ending would show it or not? It doesn’t, you know that now. Were you afraid he would hurt anyone else? Well, you chained him up. He’s not going anywhere. He’s no longer a threat.

So why do so many people still choose to shoot Lee and insist it’s the right choice even if by this logic, it doesn’t matter if he’s a walker because it’s not him? Save the bullet, don’t put Clementine through that, right?

Maybe you just like the way the tragedy plays out when Clementine shoots him, and that’s perfectly fine. Maybe you don’t believe there’s more to walkers, but still pick this because how can you not? It’s Lee! He can’t become a walker.

Again, I feel you. My reasons for always shooting him in the past were that. It’s Lee, he can’t become a walker. I can’t do that to him. I love him, and that would be wrong.

But that’s the thing... I believe we’re not the only ones having this debate. Clementine is having this internal debate within herself at different points over the series, but it’s especially prominent in TFS.

Lee asked her to leave him, but was that really the right thing to do? He took care of her, saved her life and taught her to survive, and after he was bitten, she left him to turn into a monster. He didn’t deserve that, but his final wish was for her to leave. Should she have shot him anyway, ignoring his wishes? Would that have been worse? Disrespectful? Is it okay to ignore his wish if you think he’s wrong and you think you know what’s best?

What if there is a part of him still inside that walker form? There’s no way to know that. What if she condemned a part of him to cruel fate because she didn’t shoot him? What if he’s truly gone and she’s worrying herself over nothing? What if she had shot him and needed that bullet later, or what if the noise drew attention?

...What about her parents? They were walkers, too... roaming the street together... are they suffering, too? Or are they truly gone?

I believe this is what lead to her decision to tell AJ that if she ever gets bitten, he should shoot her. All of these thoughts and regrets can resurface depending on your choices, like in the dorms at the beginning of ep2.

AJ: You told me your friend Lee became a monster. But you didn't kill him... because he wasn't a threat. Is that why you didn't kill him?

Clementine: He didn't want me to. He said it would change me forever. But I know he...

AJ: He became a monster. Do you wish you did?

Clementine: Yeah.... Every day.

Or, alternatively:

Clementine: How can you ask me that? What you did is completely different.

AJ: I'm sorry. I wasn't trying to make you mad, at all.

Clementine: .....I...I can still hear him. Telling me not to do it.

AJ: I said I'm sorry.

Clementine: ...I still hear it, sometimes.

and yeah, yeah, I know that this isn’t canon for everyone. Reminder that this is my Clementine interpretation and it’ll probably differ from yours, hence why we’re going over these specific choices.

Looking at these responses, Clementine admits that she wishes she had shot Lee, that even though he told her that it would change her and she shouldn’t have to... she still left him to die alone and change. Maybe she doesn’t even fully understand WHY he asked her to do that... why didn’t he ask her to shoot him? Did he think she couldn’t? Even though he kept telling her that she had it in her to defend herself? Wasn’t he scared of what would happen afterward? What if Lee was so sick and out of it due to the bite that he wasn’t thinking right?

Again, all these kinds of questions could possibly run through her mind, which in turn affects her choice with AJ. She doesn’t want him to go through what she did, to regret letting her turn into another monster. It’ll change him to shoot her, but it’ll also change him to let her turn.... maybe shooting her is the lesser of two evils.

The thing about Clementine is that she’s not a perfect teacher, she doesn’t have all the answers, and all of her experiences reflect in the choices she makes with AJ. She’s trying her best. She loves AJ, he’s her family and she wants what’s best for him. She wants him to be strong, to be a better survivor who can take care of himself if something ever happened to her. But, she’s doesn’t know everything, and she forgets that yeah, AJ’s a kid... and so is she. She’s not some thirty something who has all this world experience and can always make logical decisions in every situation, and neither was Lee.

AJ sees this towards the end of the season when he starts questioning her.

AJ: I always listened to Clem. Always. But...I've been thinking more. I don't know if she's right every time.

So while she truly believes that this is the best thing... she also won’t take AJ himself into account. Well, she does but she fails to ask him what he wants, what he thinks, and when he starts questioning her, she becomes defensive and makes him promise that he’ll shoot her even though he’s saying he doesn’t want to.

Which leads me to two particular scenes that I think reopen the wounds and reaffirm Clementine’s thoughts and fears. We’ll start with the obvious one: James.

I know it’s easy to just call James and his dumb walkers crazy, that walkers aren’t people, yada yada. But for fun, let’s indulge him for a moment. James is a fascinating character study with the way he’s come to view walkers, and he eventually shares these beliefs with Clementine when she asks him for help, and when you leave Lee to turn, you get this conversation:

James: They used them as a weapon. I do this...to protect them. I know it sounds strange. But that's why I brought you here. To see them as I do. As people.

Clementine: As...people?

James: Well, not people, exactly. But... Something in between. Part of us is still in there. Deep down. So few of us die anymore. We turn. Not dead, not alive.

Clementine: God, I hope that's not true. That sounds like Hell.

James: To you, maybe. I think it seems...peaceful.

AJ: Do you really think there's people inside of monsters?

James: Somewhere, yes. Think about it this way... Has someone you cared about turned?

Clementine doesn’t respond.

AJ: Clem's friend, Lee. She let him... but wishes she didn’t.

James: Do you really think...there's nothing left of who he was?

Here’s where my Clementine will remain silent, as you can either agree or disagree with him which doesn’t feel right for her, in this case. Though a little annoying that James takes your silence personally and won’t talk about Charlie later BUT that’s a topic for another ramble.

Anyway, Clementine doesn’t want to think about this. She’s thought about it enough, let it eat away at her longer than she should’ve, and now James is here asking her if she truly believes there’s nothing left inside the walker Lee became? She doesn’t have time to reflect on this, she has to get James’ help to save her friends.

However, I believe this conversation stuck with her, and that’s why she gets more defensive when AJ brings up the idea that if Clem gets bit, then she should bite him, too. Like.... No, absolutely not, AJ. That’s not what we agreed on to do if she gets bit. He’ll shoot her.

Clementine: AJ, we've talked about this. A lot. If I get bit, you know what has to happen.

AJ: I don't want to talk about this anymore.

Clementine: But you brought it up, so we're going to.

AJ: It does something weird to my stomach. Like I'm gonna get the dookies.

Clementine: AJ, I need to know you remember what we talked about. What you're supposed to do if it happens. Listen to me. If I get bit, you'll...?

AJ doesn’t respond.

Clementine: Shoot--

AJ: No! No, I'm not gonna do that.

Clementine: AJ, you promised.

AJ: I don't care. I'm not gonna shoot you! If you get bit, I'd want you to bite me, too.

Clementine: What? You don't mean that.

AJ: I don't want to be alone. Please don't be mad. I can't live with you not with me, Clem. I know we've talked about it. So much. But don't make me.

And like.... here’s an interesting thing if Clementine doubles down on this:

Clementine: Alvin Junior, if you have a gun, you shoot me. If you don't, you use your knife. No knife, a rock to the head. As many times as you have to.

AJ: I said I don't wanna!

Clementine: I don't care what you said. You will do it.

AJ: I don't care what you say!

Clementine: Goddamn it, AJ! You can't break promises.

Like jesus. She is once again so blinded by what she believes is right and what is the best option for AJ that she’s not even thinking about the fact that she’s telling him that yeah, if you have no other options, bash my face in with a rock! Holy shit, Clementine! She isn’t understanding a big thing here, the thing that factored into why Lee told her to leave him.

Of course, there are less harsh responses but I find that one particularly interesting.

Now, lemme explore the other scene: Abel.

So, the beginning of ep3 has Clementine and AJ talking to a tied up Abel about where the raiders took our friends. But it doesn’t take long before Abel starts spitting up blood and panicking that something’s wrong.

Abel: Shit... I never wanted things to end like this. Everything...it all got out of hand. Now look at me. I'm a fucking mess.

AJ: Will he turn?

Abel: No! ...My...my whole life, everything I ever got, I got with my own two hands and...and my will. For my body to turn on me...to take control... I'll tell you where to find Lilly. Just promise you won't let me turn. I'm begging you.

Look, I hate Abel, he sucks..... but I also really like him as an antagonistic character and what they did with him here.

So, we have Abel here begging for them to make sure he doesn’t turn... because Abel believes that letting some turn is cruel, he’ll even admit that he believes there are people inside of walkers and that’s why you put a bullet in them, no one deserves to be a walker.

Abel: You wouldn't do it...you wouldn't let me become...one of those things. What if they...what if they can feel it...when they turn?!

And after he gives you the info-

Abel: You got what you wanted. Please, don't let me become one of those things. Please... I don't want to turn...

Do keep in mind that this happens before the James scene, too. Clementine’s already got this on her mind when she meets up with him and the barn scene plays out.... but this whole thing with Abel is a lot. You can be cruel and torture him or you can play nice, or you can do a bit of both.

And by the way, if you let him turn, it reeeally fucks with AJ. So that’s fun.

Now not only is Clementine trying to work out a plan to get her friends back and trying to protect AJ and all that, but she’s also dealing with these thoughts and ideas presented by Abel and James..... and like, yeah I know the Lee dream sequence was intended for fanservice and to make us cry.... but I dunno, kinda funny timing that she would have a dream about Lee that night after going through both of those events in the same day as well as doing prep to infiltrate the boat.

While I love the dream sequence and this interpretation I’m talking about probably wasn’t all that intentional given that this would've been the perfect moment to explore or even hint at it but they don’t.... but it’s fine, it’s perfectly logical that she’s more worried about her friends who are still alive rather than if she did the right thing with Lee.

I think it’s time I move onto the actual bitten Clementine stuff before this turns into a novel sooo.... Clementine gets bit after she and AJ get separated from Louis/Violet/Tenn. She’s bitten on her wounded leg, and after all the chaos of getting away from walkers and climbing up to safety... Clementine just lies there for a bit.

And you can feel it, y’know? She and AJ knew what happened, but Clementine still has to confirm it... and when she pulls away part of her boot to reveal the bite... she lets out a deep breath and says she got bit..... but they gotta keep moving forward. No time, gotta get up, gotta keep moving, gotta get AJ to safety. Nothing else matters.

So they walk. They walk until it’s morning and Clementine starts to look awful... and I think most of us took this opportunity to tell AJ she loves him.

Then all hell breaks loose, they’re surrounded by walkers and have to hide out in James’ walker barn, but Clementine’s too weak to fight. This is when the game starts to have us take control of AJ, switching us between the two as Clementine shoots walkers and AJ shuts the doors.

Until Clementine runs out of ammo.

The walkers are locked out, they’re catching their breath... and now they have a whole new problem to deal with. Clementine’s bitten, and AJ, similar to how little Clementine was, tells Clementine she needs to try to get up and leave with him.

Clementine: Good job, AJ. You did it.

AJ: Now what?

Clementine: You need to find a way out of here.

AJ: We can climb up there. The monsters can't reach us up there. Let's go. Easy climb. C'mon. Please...try. You can't give up! You can't give up! I need you! I need you...

She can’t get up.

Clementine: I'm so sorry, kiddo. This is just what happens sometimes.

AJ: But...but it wasn't supposed to happen to you!

Sigh.... now here it is. This is another big moment in Clementine’s character that changes everything. It’s that moment at McCarroll Ranch again- it all hits her at once.

Clementine: I need to make sure you remember.

AJ: Remember what?

Clementine: The rules. What's number one?

AJ: Never...never go alone. So...so I can't leave. Not without you.

Clementine: AJ...

AJ: It's your rule!

Clementine: You won't be alone. Not for long. Get back to the school.

AJ: I don't know how.

Clementine: Sure you do. One of the first things I ever taught you. You need to make sure they can't smell you. So... grab that axe.

She’s dying, she’s going to die and leave AJ behind.

Clementine: Next rule: what do we do when the monsters come?

AJ: Clem...

Clementine: AJ...

AJ: Shoot them in the head.

Clementine: Got any more ammo?

AJ: There isn't any more.

Clementine: Okay, then. Fuck. And...the last rule?

AJ: I want to stay. With you. I know what will happen. And...and I don't care. I don't want to go. I just want to sit next to you and...and stay. Like that monster couple, from the train station. No one would hurt us. Just...sitting. Forever.

Clementine: I don't want you to leave, either.

AJ: Then don't make me!

Clementine: But it's not about what I want. It's about what you need. And you need to go.

AJ: Okay, Clem. Okay.

Clementine: Last rule.

AJ: No...

Clementine: What do we do if I get bit? ....Are you gonna make me say it?

And this is Clementine truly realizes, understands for the first time why Lee made the choice he did... why he asked her to leave him.

Clementine: Just leave.

AJ: I can't let you turn into a monster.

Clementine: You have to.

AJ: But before, you said...

Clementine: I know. But now that we're here... My heart is saying something else.

She finally gets it.

When Lee said she’s in his shoes now...? She IS in his shoes finally understanding a part of their situation years ago that she never could. For years, she questioned how he could ask her to leave him, WHY he did. She questioned if she did the right thing, regretted listening to him.... but now that they’re here and she’s presented with the same choice Lee was... she understands why her reasons for asking AJ to shoot her if she gets bitten were skewed, that what she thought was preventively protecting him from more hurt was only doing more damage. He’s already taken a life, and just like Lee said, he’s losing a part of himself every time he does it, and if she told him to shoot Lilly, too? and if he shot Tenn?

What is killing Clementine with an axe going to do to AJ?

What is leaving Clementine to become a walker going to do to him?

What is the right thing to do?

Well, for Clementine, her answer is to ask him to leave. She knows she told him differently, but that was when this scenario was merely a “what if?” Now it’s happening and she sees the errors in her thinking, and no matter what happens now, she’s going to die. Maybe she’ll feel it, like Abel said. Maybe James is right and she’ll spend the rest of her undead life alone in this barn. Maybe nothing will happen. It doesn’t matter.

But... we all know, AJ has another solution up his sleeve that Clementine never considered.

He turns to leave her... and then turns back around and disobeys her wishes... and chops off her bitten leg.

And she fucking survives.

Clementine survives her walker bite.

AJ did what little Clementine back in s1 couldn’t do... he didn’t listen to her, and this time, it worked in their favor.

Clementine: When we were in the barn, you didn't listen to me. And if you had...I'd be dead. You'll have to be strong for the both of us.

AJ: You made it so I can. So...thank you. For everything.

Clementine: You're welcome. For everything.

Clementine still has a lot of things to work though, especially now that she only has one leg. She can’t move around the way she could before, she has to completely relearn how to walk on crutches, possibly a peg leg. She gets to sit down and breathe, rely on others and do some reflection on who she is and come to terms with all the pain she suffered, and grow from there.

Now that she understands why Lee did what he did, she can take a step in the right direction of forgiving herself, to atone for all the mistakes she’s made and the people she’s hurt.

She has a boyfriend/girlfriend/friends there at her side to listen and love her, she has AJ, she has her lovable pupper Rosie, and she has a home... for the first time since she was little, she has a home and she can find herself again. Keep movin’ forward.

This is my favorite line of choices, my favorite way to interpret the connection between Lee and Clementine’s scenes, and how I view Clementine’s growth and understanding as a character in TFS. There are so many ways for it all to play out, no Clementine is the same between players, and I dunno I just... I find the whole thing so compelling.

Clementine is such a fun character to discuss, to compare interpretations of, and I’m sorry for such a long post but this is another thing I’ve wanted to throw out there for a while. Now that I’m done, I’m gonna go make some tea and chill out.

#twdg #twdg clementine #twdg lee #twdg aj #twdg kenny #twdg javi #long post #twdg james #twdg abel

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caribouwritings · 3 years ago

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I don't know if anyone has asked you this before, Caribou, but what are your favorite Mortal Kombat ships and do you have any headcanons you can share about them, please? :)

Ooooo, this is really a good question! I actually touched on some of my favorite ships and what I like about them but never shared headcanons about them…

Note: yes, I’m aware most of these are canon ships!

—————————

Kitana and Liu Kang:

- They are meant to be, and fall for each other merely seconds apart (Liu fell first though)

- Both struggle with not failing on what others expect, but they have a strong spell on each other that everyone can see the sparks shooting off between them when they’re near each other

- Although both have a strong sense of duty, they’d drop it all just to have a normal life together but they know regret and constant wonders of what if will haunt them

- Becoming revenants was the best thing to happen to them even though it is horrific and traumatizing to everyone around them, they are free to just openly love and devote their affections to each other in the Netherrealm

——————

Jacqui Briggs & Takeda Takahashi:

- Very obviously, Takeda fell first and made it known to Jacqui how beautiful he found her to be

- Jacqui was hesitant to going on their first date as she didn’t want to end up causing a riff between the team if things went sour, but Takeda assured her he doesn’t hold grudges over bad dates

- Takeda is very thoughtful and sweet, he will do anything for Jacqui and goes above and beyond to show Jax he loves and respects his daughter

- Takeda was really nervous about proposing to Jacqui, and it was very important to him that Jax was okay with the marriage, he already knows his mishmash of family loves Jacqui so he’s good on that end

——————

Jade & Kotal Kahn:

- Kotal fell first, he saw and admired Jade for so long that he worked up courage to speak to her

- Jade is a huge flirt and can see the control she had on Kotal, and it both entertains her and flatters her watching this big, strong warrior fumble to make sentences and meet her eye

- It was Jade who made the first mood, telling Kotal she heard rumors of the stars being brightest on the mountains and if she could find someone to accompany her, she’d love to go see them (cue Kotal formally asking if she would like him to escort her)

- They decided to keep their relationship a secret because of their statuses and not wanting their ties to one another to become gossip or a weapon against them

——————

Mileena & Tanya:

- Mileena fell first, she liked how Tanya wasn’t repulsed by her or thought of her as a monster that she began to crush on her

- Tanya initially liked Mileena for her power, but she began to really see Mileena as she is and actually feeling sympathetic turn to admiration

- Tanya has an I’m-too-cool-for-this attitude that even intimidates Mileena, that she would chicken out and change the subject when it came to asking Tanya out

- It all changed when Tanya teasingly asked Mileena if she wanted to kiss her, after Tanya kissed her they became an inseparable force with Tanya following Mileena

——————

(Bonus: the ship I hate because I think they’d be bad for each other in the end and think they need more character development!)

Sareena & Bi-Han:

- Sareena definitely fell first and admired Bi-Han for “freeing” her and thinking of him as the shining prince of her dreams

- Bi-Han however isn’t entirely aware of this, he has a bit of an one-track-mind and focuses on what he’s doing to really take her into consideration

- After much chasing, Sareena would eventually capture him but learn he’s not what she imagined him to be and he is instead a complex man with issues bigger than she could ever fathom

- In the end, Sareena will realize she fell more in love with the idea she made of Bi-Han than Bi-Han himself, and Bi-Han will wonder what he did wrong

#caribou headcanons #mortal kombat #kitana #liu kang #jacqui briggs #takeda takahashi #jade #kotal khan #mileena #tanya #sareena #noob saibot #bi han

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eastofthemoon · 5 years ago

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So, this is something that I’ve been thinking of doing for awhile. There have been a few new shows that I have been watching mostly because I enjoy the found family feels to them. Since today is Valentine’s Day, I figured I would post this list for the people who don’t want to see romantic love and rather focus on the platonic kind.

So, here we go:

The Owl House

Summary:

Luz is a self-assured teenage human girl who accidentally stumbles upon a portal to another world instead of going to Reality Check Camp. When on the Boiling Isles, which is made from the remains of a dead Titan, she befriends the rebellious witch Eda the Owl Lady and an adorably tiny warrior named King. Despite not having magical abilities and having to pose as a witch due to the prejudice towards humans, Luz pursues her dream of becoming a witch by serving as Eda’s apprentice at the Owl House and ultimately finds a new family in an unlikely setting. (copied from wiki)

Why I like it:

This is a new show and only about 5 episodes of it have aired so far, but I’m really enjoying it. The characters are fun, the world is both creepy and fun and we’re slowly getting into an actual plot but every episode so far has been useful in setting up more of this world. Also Eda is a badass character and is now becoming one of my favorite witch characters.

If you enjoyed Gravity Falls then I would definitely recommend this show since it has a similar humor and style, which isn’t surprising since Dana Terrace (the creator) worked on Gravity Falls and Alex Hirsch even does voices for two of the characters.

With that said, one of the minor things I like about this set up is that Luz the human girl isn’t stuck there. She does have the option of going home whenever she wants and her mother isn’t worried about her since she believes she’s away at summer camp. It’s nice not having that detail weighing over the character. Anyway, the found family vibes are just jiving in this show, and the characters are just fun.

Highly recommend.

Kipo and the Age of Wonderbeasts

Summary:

Kipo Oak, a thirteen-year-old girl, is searching for her father after being forced to flee from her underground city. To do so, she travels through an overgrown post-apocalyptic urban wasteland ruled by sentient mutant animals ("mutes"), together with her new friends Wolf, Mandu, Benson and Dave.(copied from wiki)

Why I like it:

I’m not usually one to go with post-apocalyptic stories, but this one has a very whimsical vibe which is more my jam. Kipo is a great character, but so is the rest of the cast. I love Kipo’s relationship with the jaded Wolf, but Bensen and Dave also add to the fun. (I will say for Voltron fans that Shiro and Wolf could relate in dealing with traumatic experiences).The world itself is very bright and colourful, but also has a very fun villain in Scarlemagne. He gives me mega Ratigan vibes if that’s any indication.

And one thing I appreciate is that the show does not bait people into thinking a particular ship is going to happen. Nope, this group is all family/friendship and I love it for it.

Add to the fact that this show has a terrific soundtrack and it’s a great watch.

Infinity Train

Summary:

Hard to describe the plot for this one without spoilers, but basically a girl named Tulip struggles to deal with her parents divorce and ends up on a mysterious train where each cart is it’s own mini world. Also, she gets accompanied by One-One a both happy and depressing robot, and the King of Corgis.

Why I like it:

Out of my recommendations this one is strangely probably the darkest of the four. It’s not a show I would recommend for little kids to watch. The show so far has two seasons which flow into each other despite having a different main cast for each one. Some could read a ship into the second season, but I think the cast for both seasons leans towards a more family/friendship feeling.

The characters for each season are enjoyable to watch, especially Atticus the Corgi King, to the point you feel your heart strings tug due to events that happen near the end of each season. Also One-One is just hilarious to watch.

It’s hard to go deeper without spoilers but the best way to sum them up is the first season has a strong Wizard of Oz/Alice in Wonderland tone, while the second season has a more Pinocchio style to it. It’s a kooky little cartoon that I hope gets a book three because it’s such an interesting set up and since each season is only 10 episodes, that are each only ten minutes, it also doesn’t take long to watch it.

Amphibia

Summary:

The series chronicles the adventures of a self-centered 13-year-old Thai-American girl named Anne Boonchuy. After stealing a mysterious music box on her birthday at the advice of Sasha, she is magically transported to Amphibia, a wild marshland-themed lilypad-shaped island full of anthropomorphic frogs and giant versions of smaller animals. She soon meets and befriends an adventurous 10-year-old frog named Sprig Plantar who will guide her to be a true hero while discovering the first true friendship of her life as she lives with the Plantar family. (copied from wiki)

Why I like it:

Another show where, if you enjoyed Gravity Falls, then you would enjoy due to similar tone in the humor and mystery - likely because the creator Matt Braly also worked on Gravity Falls. Gee, it’s like that show started a trend or something?

What I like about this show is that you not only get to see character development for Anne, but you get to see her bond with both the Plantar family, but also with the frog community as a whole. The plot might be a bit slower paced compared to the other shows on this list, but it has cool monsters and Sprig is very enjoyable to watch. Not to mention that there is an intriguing mystery going on that makes you curious to stick around. It also explores what exactly makes a good or bad/toxic friend, especially for a teen like Anne.

I will say there are a couple of characters that get crushes on some side characters, but the show mostly focuses on the family and those crushes are just mostly a background detail. Overall, a cute show that’s nice to put on for background noise if nothing else.

#animation #my recs #the owl house #amphibia #infinity train #kipo and the age of wonderbeasts

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afterglowlws · 4 years ago

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I know that despite Supergirl ending next season, a lot of us will probably still stick around for a long time. But over time we will find new interests to latch on to, so I thought it would be a good idea to highlight some sapphic ships/shows that are actually very respectful to their LGBT audience. A lot of these shows are fighting for more seasons, so check them out! They’re full of amazing cast and crew who do a lot for the community!

Motherland: Fort Salem: This show is about witches, and the gender reversal of female witches being drafted to the war upon turning 18. It encourages challenging gender roles, open and fluid sexuality, female empowerment through sexuality, and so much more. The best part is that Raelle and Scylla are the main couple and get amazing screen time! So much of the story revolves around their relationship.

Atypical: This show revolves around Sam, an autistic teen, and his family. Sam has an older sister named Casey who loves to give him a hard time. She starts out getting a boyfriend in season 1, but by season 2 she meets her new best friend Izzie and starts to question everything. By season 3, they’re a couple! It’s an amazing slow burn. They have one more season coming out on Netflix in 2021.

Teenage Bounty Hunters: This show centers around a set of twins named Sterling and Blair who go to an elite southern (and religious) high school. They find themselves taking up the unlikely career of bounty hunting. As if juggling all that wasn’t enough, Sterling finds herself catching feelings for her ex-frenemy April. They must now navigate that journey in a place that they don’t feel will be very accepting, so lots of angst ensues!

DC’s Legends of Tomorrow: If you’ve seen The Arrow then you know Sara Lances long and tragic backstory. She now leads a team of time traveling superhero’s called the Legends. The show starts out more serious, but over time becomes really silly, fun, and crazy. Sara becomes captain of the time ship and proceeds to hook up with random women throughout history. Until season 3 when she meets Ava, who becomes her girlfriend. They’re the main couple and you get to see a real and natural progression of their relationship.

Legacies: This series is the spin-off of The Originals, which is the spinoff of The Vampire Diaries (you shouldn’t really be confused if you didn’t watch those first though). It revolves around the children of TO and TVD characters, they go to a school for the supernatural and each week there is always a new monster for them to fight. One of the main characters, Josie, is bisexual. The show kicks off showing drama between Josie and her ex girlfriend Penelope. Penelope did leave the show, but last season they teased a possible romance between Josie and Jade (a new character).

Wynonna Earp: This show is about Wynonna and Waverly, the grandchildren of the famous gunslinger Wyatt Earp. You don’t have to be a history buff or even into the Wild West type genre to fall in love with this show. Waverly starts out with a boyfriend, but one visit from a ginger cop (Nicole) has her questioning everything. They become the main (and at times only) couple on the show, and it’s actually the most adorable thing you’ve ever seen. The actresses are both queer in real life and the cast is made up of amazing actors and crew members who love the LGBT community. So out of all shows to support, this is the one!! They’re fighting for a fifth season! #FiveForWynonna

Riverdale: I don’t think I have to explain that Riverdale is essentially just a bunch of oversexualized and traumatized high schoolers who very much need therapy. It’s a shitshow at this point. But one of the main couples, Cheryl and Toni, are actually very cute. The actresses are best friends in real life so it translates really well on screen. Their journey starts in season 2.

The Bold Type: This show revolves around a trio of best friends Kat, Sutton, and Jane who all work for a womens magazine. You get to see very strong and empowered women navigate their way through love, life, and their careers. Kat meets Adena, and quickly realizes she likes women. So she must go on a journey of realization and acceptance that is very relatable for a lot of WLW audiences, as both women are WOC.

Killing Eve: If you aren’t watching this already, watch it now!! The show revolves around a cat and mouse game between two women, Villanelle and Eve. Villanelle is a psychopathic Russian assassin with a tragic backstory. And Eve works for British Intelligence and lives a seemingly, nauseatingly boring life married to a bland white man. But the catch? She’s into female assassins. Both V & E become weirdly obsessed with each other very quickly, and it turns Eve’s entire life upside down as she starts to realize her feelings for Villanelle. Their relationship is so intoxicating to watch.

Euphoria: This show is not for the weak of heart. I can’t explain much without giving huge spoilers, but it tackles a lot of super heavy issues so read up on the trigger warnings first, especially if you’re sensitive to things like pedophilia, rape, drugs, bullying, etc. The main character Rue develops feelings for her new best friend Jules, and a lot of drama follows. The end of the season left it very unclear as to whether they will be endgame or not. So be warned with this one.

Dickinson: This show is about the famous poet Emily Dickinson, so it’s set in the 1800’s. It shows Emily’s struggle of dealing with a patriarchal world where she is not allowed to be herself. She fell in love with her best friend Sue, who is supposed to marry her brother out of necessity. It’s heart wrenching to watch Emily and Sue navigate that situation, so get your tissues ready! And beware it’s possible they won’t be endgame, as it is set in a very unacepting time period. But I could be very wrong. It’s been renewed for a season 2, so we’ll see!

If you want everything Supergirl would never give us.. Killing Eve, Wynonna Earp, and Motherland Fort Salem are exactly what you’re looking for. It’s full of cast and crew who embrace the community and give amazing representation. This list just highlights the ones I’m currently into so please add on more if you know of any!!

#supercorp #supergirl #kara x lena #kara danvers #lena luthor #lgbtq #lgbt pride #lgbt #wlw #otp #kara zor el #wlw mood

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forever-lynx · 4 years ago

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as long as he had eiji

pairing: asheiji

word count: 1754

angst with mild hurt/comfort

A/N: shoutout to the big motivator @emi-joanna 😌this one’s for you bestie

this was also meant for mother’s day yesterday but i had an essay to finish so i couldn’t complete it on time... well, it’s here now! i hope you enjoy

–––––––

The smell of pancakes flew through the air. Eiji wanted to make something simple this morning. He was exhausted from work; he was called in for extra hours in the past week to cover for his sick co-worker. Eiji was smiling to himself as he made the pancakes. Today was Mother’s Day and it reminded him of how much he missed his mom. He’d have to call his mom after breakfast.

Eiji inhaled the smell of his pancakes. He was an excellent cook, he knew; he had to cook for his younger sister back when he lived in Izumo because his mom would often be at the hospital beside his dad. Eiji grew melancholic at the thought of his dad. He missed his family more than anything, though he did not regret living in New York. He never would. It gave him the opportunity to meet his soulmate, the man he valued above all else. Speaking of which, he turned his head toward the couch his lover was asleep on. Ash was awake until late hours of the night in order to complete his business report. Ash was working incredibly hard in his new job. He truly valued it, and Eiji was forever proud of him for his hard work.

The two had not yet moved from New York. Ash had unfinished business to take care of with his gang which caused them to postpone their travels. It was unfortunate – Ash was really looking forward to seeing the place Eiji was born in, and above all he was looking forward to finally escaping the suffocating atmosphere of New York – but they had their aspirations, and it would not escape their grasp so easily.

Eiji piled up the last bit of the pancakes on top of each other and placed them in the middle of the table. He walked over to Ash to wake him up. Ash’s nightmares still continued, unfortunately; though it was to be expected, two months was not enough time to heal from an incredibly traumatic event. And in Ash’s case, he was still dealing with the devils of his past. It pained Eiji; he wanted to be the barrier that protected Ash from all the hurt in the universe. Though as unrealistic as that may be, he was happy to be beside Ash, from now to forever.

Eiji knelt beside Ash and kissed his cheek.

“Aslan,” he murmured. “Breakfast is ready.”

Ash grumbled, turning positions.

Eiji giggled, “Wake up you sleepyhead.”

“Fuck no.” Ash groaned.

“Aslan. You have five seconds to wake up or else I am flipping this couch.”

“I’d like to see your twink ass try.”

“You are impossible,” Eiji said, grabbing a pillow from the other couch and hitting Ash with it.

“What the fuck– Eiji!”

“I spent ten minutes making pancakes, you are not going to let them grow cold and have all my hard work go to waste. Stupid American.” Eiji hit him with a pillow again.

Ash grabbed his pillow and threw it at Eiji. Luckily, the Japanese boy was able to ditch it. Eiji laughed and stuck his tongue out.

“Too slow.”

“Slow?! Oh, you’ll pay for this,” Ash threatened, lunging at Eiji and tickling him. Eiji erupted in a fit of laughter. The pillow fell from his hand as Ash continued to attack him with tickles.

“Fine! Ah- you win!” Ash smiled in triumph. He got up and made his way to the table.

“Pancakes. Wonderful. Yours are to die for.”

“I am not taking compliments from a man who almost killed me with tickles.” Eiji said, sitting down. “Death by tickles, huh? Never tried that method before. Sounds lame.”

Eiji rolled his eyes. The lovers dived in, gulfing down their breakfast. They talked about their work and their plans for Izumo. Eiji was beyond ecstatic to have Ash see his home city. He wanted to introduce him to his neighbours and his friends. He couldn’t wait to take Ash to his old school grounds and the park where he learned how to ride a bike. He wanted Ash to see every little detail of Izumo and he hoped more than anything that his boyfriend would finally find peace.

Once breakfast was over and Eiji had cleaned the table, he announced that he’d be calling his mom.

“It is Mother’s Day. It will only take a minute.” Eiji said. Though that wasn’t entirely the truth. His mother tended to stretch one minute long phone calls to an hour. “Take as much time as you need,” Ash assured him. Eiji smiled and went in their room for the phone call. He did not want to bother Ash when he had mountains of work to do.

Ash settled on his desk chair and stared at his laptop screen. Mother’s Day, he thought, how odd to dedicate an entire day for a parent. Who even came up with this shit?

Ash sighed and shook his head. It wasn’t worth questioning something as minor as this. He tried to focus on his work; he stared at the numbers before him. Unfortunately for him, he was unable to make out what they meant. He knew the formulas – he knew this job like the back of his hand – but his brain refused to cooperate. Weird, he thought.

Ash got up from his chair and made himself coffee. Perhaps he was too tired from the night before to even focus on his work. Of course, that was it. He simply needed to wake up and consume as much coffee and Monster Energy drinks as he could.

Ash sat on the couch with the coffee cup in his hand. He was staring at the blank TV screen, looking at his reflection. The more he stared, the more it felt like the person staring back at him was a stranger. Sometimes he would do this, staring at his reflection until he could not recognize the face. People would find this an abnormal activity, but not to Ash. He was used to questioning the person he saw in his reflection.

Eiji’s laughter erupted from the other room. Ash grinned slightly. Eiji loved his mom, Ash knew. They loved each other. Like a normal family. Like what he always wanted.

The thought hit Ash. He violently shook his head – why was he thinking about this? Yes, it was Mother’s Day, but it meant nothing to him. He never knew his mom, anyway. Why would he want to celebrate a day dedicated to someone who had abandoned him? He thought it was some sick humor. Mother’s Day was just for people to rub their healthy relationship with their mom on those who didn’t.

Eiji had once told him that his mom cared for him, which was why he was named Aslan Jade Callanreese. The thought of his mom caring for him made him laugh. If she truly cared, why had she left Ash with that bastard of a dad?

Ash’s vision suddenly got blurry. He scoffed and wiped his tears with the back of his hand. He didn’t understand why he was wasting his energy dwelling on this. His mom had left him. Full stop. He had gotten over it.

Right?

Ash inhaled shakily. He hated to admit it but he always yearned for a mom who cared. He wanted to know what it was like to come home from school to the smell of freshly baked cookies and the happy humming of a mom. On nights when he could not sleep, he found himself yearning for the touch of his mom, a woman he never got the privilege of knowing. More than anything, he wanted proof that his mom had loved him. The feeling of despair that came with this thought was overwhelming. Ash was suffocating in the loss of someone he had never known.

Ash’s head dropped in his hands. He allowed his tears to flood on the carpet below. His body was shaking with gloom, his world turning black. All these years he hoped it would get easier and it never did. It never would.

Ash heard Eiji’s footsteps getting closer. He immediately stood up and wiped his tears away. He didn’t want to ruin Eiji’s day just because he got sad over his mom. Eiji deserved to enjoy this day – he deserve to enjoy every day.

“My sister wanted to talk to me in the end… I had to tell my mom I had somewhere urgent to go to just so I could avoid talking to her,” Eiji said.

Ash let out a light chuckle; he was doing his best to act normal.

“Ah, I see you made some coffee for yourself. Good to know you did not burn the kitchen.”

Ash chuckled again, looking away from Eiji. As much as he tried to hide his hurt, Eiji always noticed. He always knew when something was off.

Eiji walked towards Ash and sat next to him.

“You do not have to tell me what is wrong, but is there anything I can do to help? We can go get hot dogs if that is what you want.” Eiji softly said.

Ash smiled, “No it’s- it’s okay. It’s just…” Ash hesitated. “It’s Mother’s Day…” Ash could not get the words out of his mouth. The tears seemed to be spilling back immediately. Stupid emotions, he thought.

Luckily, Eiji immediately understood what Ash meant. He always did. “Oh,” Eiji said softly. “I am sorry, Aslan. I should have checked in on you today before I did anything else.”

“No, it’s really okay,” Ash assured him. “It’s not a joyful day for me but you do not have to go through any trouble. Just wishing I had a mom to celebrate this day with, I guess.”

Eiji rubbed Ash’s back. “I am here for you, Aslan. We can take it easy today, if that is what you want.” There were no amount of words that would heal Ash’s hurt but he wasn’t going to leave his lover alone – he never would.

Ash stayed silent for a moment until he opened his mouth to say, “Can… can you hold me?”

Eiji nodded, “Of course.” He hugged Ash; Ash buried his face in the crook of Eiji’s neck, letting the tears roll.

The lovers stayed in silence. All Ash needed was Eiji to let him know it would be okay.

This is okay, Ash thought. It’s okay. It’s okay. It’s okay… he kept repeating to himself, because as long as he had Eiji with him, everything was okay.

#i dont really like the ending but. i got frustrated w the fic lmao #my fic #asheiji #banana fish #ash lynx #eiji okumura #hurt/comfort

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mooglesorts · 4 years ago

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man. it's weird, because there's a lot of things about me that are Very Badger Primary, to the point where i would probably pick it with a strong bird model over anything else at this point... except that i hate dehumanization. i saw primaries described recently as 'things you wouldn't be you anymore if you went against,' and more than just about anything else that's it. even when i think people are monsters, i can't see them as not human; i'd be hard put to define exactly what i consider a 'monster,' but it's more about like. good faith than personhood, i suppose?

it's not necessarily a permanent status to be one--people can change--but my deeply held instinct is that once you have done something monstrous you will always be a person who has been a monster by your own choices, and that it's your duty to learn how to accept that while still living your life, and act accordingly from thereon out. you have to reconcile that you are a person with the fact that some doors are closed to you now, and it's up to you to decide what you do from there.

just. like. even when i hate someone and as far as i'm concerned they can go fuck themself, even in the multiple Heavily Badger social environments i've been in over the course of my life--church, progressive circles, the way the structure of the internet kind of just affects you in general--even on occasions where i've gotten swept away and given in to the pressure to dehumanize (or perform it) for a minute, there's always, always been a voice in the back of my head saying this is a person. this is a person. this is a person. this isn't right.

unintentional dehumanization sets off my '...should we really be doing this? we are getting into not good territory here, it's time to pull up and start questioning' alarms. explicit, intentional, purposeful dehumanization sets off the whole ass tornado sirens. if people on my side are doing it it's enough to throw me into a system-destabilizing crisis, because NO NO NO I WANT TO GET OFF THIS RIDE, I WANT NO PART OF THESE PEOPLE'S MORAL SYSTEM, I FEEL UNCLEAN. it's a good way to make sure i will never, ever, ever trust someone again.

things that are Really Really Badger, off the top of my head (after the cut because Long and trauma talk):

[[MORE]]

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-i've always loved playing adoptable games, pet simulators, etc? any game with randomly generated characters that are Yours Now and a Community, in a deeply badgery way. including games where they can die (the satisfying part is making sure they don't). except that, no matter how much fun the gameplay is, if it gets to the point where they start feeling disposable, and the only way to really keep playing is to stop humanizing them, i lose interest. it's super fucking depressing. it feels like part of me dying inside a little. i don't like it at all.

-i've always been drawn to fandoms and roleplaying communities. i was fiercely loyal to, and proud of, my first rp community on dragoncave as a 13-year-old. when my abusive mom found out about it and completely isolated me for half a year, the promise of being able to make it back to them--just sneakier this time--kept me going; when i finally got back and the group had drifted apart in my absence, it.... was absolutely devastating. i never really recovered from it. even then, i spent years trying to get the group back together every now and then, until i finally gave up.

-i am always keenly, painfully aware of the life cycle of a community. every time i hear the sentiment 'you guys are all great and i love this group' my stomach drops, because i know it's only a matter of time before things go sour or the group dissolves. rp groups, skype chats/discord servers, fandoms, you name it, i am always bracing myself or staying away entirely to avoid the inevitable and it hurts. and it hurts to see people taking part in a community i don't dare be part of, which makes lurking in fandoms... really rough. frankly, it takes me a lot of courage every time i express my appreciation for the shc community because i've been burned so many times.

-on that note: i went through some really traumatic stuff at the end of 2020 that completely turned my life upside down, and i was doing bad until i stumbled across the shc community. the moment i started engaging, it was a huge boost to my mental health, and my ability to cope with circumstances under which i was about to break down spectacularly. and it has been ever since! contributing to The Group Project and seeing other folks being friendly with each other gives me the happy feelings.

-i used to go out of my way to build and run spaces, mainly fandom and rp spaces, and took a lot of pride in engineering them so that they Functioned Well. unfortunately it wore me the hell down over the years for Burnt Badger Reasons, and now i'm too jaded, bitter, and exhausted to give a shit about being a mod/community leader anymore because of it lmao

-among those burnt badger things i relate HARD to the Red Ledger narrative. hoo boy.

-i wish i could find it again, but there was an mlp comic i saw once which went into luna's observations of what each element of harmony Means. with the element of friendship, she says that twilight has a massive amount of love to give; right now it's all focused on celestia, but when she learns to expand it outward she'll have grown into her full potential as a person, and she'll change the world. that struck a chord with how i used to feel, hard, and it's really stuck with me ever since. (hello, unhealthy snake model)

-emphasis on 'used to feel,' lmao

-got super invested in a really toxic '''mental health''' community at a low point in my life; exploded HARD trying to help everyone i could; got into vicious, protracted fights with the shitty mods for years about the harmful way they ran their community until i finally managed to go 'fuck this it's not getting better' and leave.

-had to numb myself emotionally to the people around me for a long time once i really started learning about mental health and trauma stuff, because now i was seeing signs of their pain and baggage everywhere i looked, and i couldn't handle not being able to help.

-the imagery with which i think about my bird primary is overwhelmingly negative. whether it's my actual primary or a model, i uh. i feel like a healthy relationship to one's primary doesn't involve associating it with gore.

-i saw a conversation recently about how birds think of morality in terms of 'if you can, you should,' and how that's scary for badgers because their definition of 'can' involves destroying yourself for the sake of that 'should,' and... yeah, that's a mood. that's a BIG mood. thinking about bird primary stuff is hard--and i had to pick up my lion model to deal with it--because it's so easy for me to spiral into a self-shredding spiral of other people are counting on you to do the right thing, how dare you pull back for your own health and sanity. how dare you turn your back for even a minute. how dare you rest. the work is never done.

which is... a very exploded badger approach to exploded bird morality. whoops.

-fix-it and time travel fiction in which Everything Went Right This Time and It's Going to Be Okay are one of my very favorite self-indulgent fantasies. i will enjoy putting characters through the wringer in all kinds of creatively horrific ways which may or may not end on a downer note, certainly, i love that shit, but i will also 90% of the time have a backup version of the arc or dynamic that's softer and lighter and Actually Healthy This Time. it's the dichotomy there that really gets me tbh, a story where Everything Ends Happily by default will mmmaybe pull me in? but stories where there's the constant shadow of this could end horribly, it's supposed to end horribly, and we got a happy fucking ending anyway are just... that shit will make me cry, man.

it's also why i kind of really hate stable time loop stories where it initially looks like this is going to be The Good Timeline this time around, but OOPSIE everything went to shit anyway! we're right back where we started, just like it was meant to be all along! it's a tired cliche by this point and an unsatisfying one for me, and it makes me roll my eyes every time.

-this is relevant to the bird vs. badger because like... my gut instinct is to prioritize people over systems. when shit hits the fan, when someone's fallen into the machinery and is about to get hurt, i don't feel right about it if i just let it happen. i'll break the machinery if i have to to keep it away from them; i won't feel great about that, and it might cause problems, but fuck it, we'll figure it out later. throwing people into the gears of a system when i'm convinced it's the only option makes me feel Awful.

-related to the above, another trope that really speaks to me in fiction is when a character defies the rules of reality through sheer force of will. no, this is not happening, i don't give a shit what the limits are supposed to be. i refuse to let this be the way things are. (there's that lion model.)

-i've just kind of... always wanted to be an Everyone Badger. it makes me sad how much of that i've lost over the years as i've gotten more cynical, but it's what i wish i could be.

---

doubtless i'll think of more the moment i hit send, and there are just as many things about me that are Super Bird Primary, but like... mamma mia that's some spicy badger. the main thing stopping me is the Can't and Refuse to Dehumanize bit. i also... hm. i think i can function okay without a community? they just help a lot, and it sucks when i'm confronted with one i don't have a (stable) place in. any thoughts? is it possible for a bird system's foundation to run so deep that eventually it overrides the bird?

#shc #sortinghatchats #sorting hat chats #badger primary #bird primary #burned badger primary #exploded badger primary #exploded bird primary #burned houses #exploded houses #abuse cw #gore implied cw #moogle hat talks

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thebluelemontree · 4 years ago

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Is it wrong to say that Sansa uses an out of sight out of mind coping mechanism? I noticed it because it's what I do a lot. I know some ppl say she rewrites traumatic memories to make the memories bearable but it doesn't make sense. If that was how she coped, wouldn't she have been telling herself lies about Joffrey still in acok? Or found a way to erase/rewrite Marillion's attempt to rape her?

Yes and no. She does that except all the times she doesn’t. ;) I think that characterization is extremely reductionist (and ignores character complexity and growth) when it’s applied that broadly to every situation Sansa has been in. You have to take these things instance by instance because they aren’t all the same. Sometimes that labeling doesn’t fit at all. In many cases, it feels more like the fandom pathologizing the act of romanticizing or trying to push aside or reframe something unpleasant or even traumatic when that’s just something most human beings do now and then. Some do it more than others, but its all within the realm of typical coping behavior and being older or more educated or more “logical” doesn’t make one immune to it. So I hope you don’t let those interpretations make you feel abnormal or more fallible for identifying with Sansa in that way. Romanticizing doesn’t even have to be about coping at all, but simply expressing desire through daydreams. People imagine being in idealized scenarios with crushes all the time.

You also hit the nail on the head. Sansa just doesn’t go around making up false narratives about every objectively awful thing that happens to her. In fact, her actual responses to those moments can be a useful basis for comparison when we’re analyzing the unkiss, for example. Misunderstanding the unkiss is usually where a lot of these assumptions stem from. That’s a whole other can of worms in itself. The unkiss is just too long of a discussion to put here, so I just recommend this post as to the reasons why it isn’t about trauma and take a browse through my unkiss tag. It does bear repeating that Sansa factually remembers every scary thing that happened during the Blackwater and why it happened, indicating she has processed it honestly and critically, before any incarnation of the unkiss happens. The unkiss is a mismemory added on to the facts, which began as her being the actor that kissed him first. It’s not a lie to deny the facts or to excuse his behavior. It’s regrettable to her that Sandor was not able to be the person she could rely on to get her out of KL at that time. Nonetheless, this repressed desire is just so strong in her that it manifested in a kiss so real she could remember how it felt after the reality of his leaving KL for good sank in.

Early AGOT Sansa tended to want to move past unpleasantness rather quickly. Just sweep those red flags under the rug so everything can go back to blissful harmony. Sansa is naturally averse to conflict and just wants her present with the royal family to be smooth sailing into a bright future. Ned had a very similar tendency when it came to concerns over Robert’s true character. He saw things that disturbed him, but he hoped and clung to his idea of Robert anyway. For Sansa, this resulted in some misplaced blame and rewriting events so she could deal with the aftermath. This is mostly seen in her processing the Mycah incident after Lady’s death and how her perception of all the characters involved shifted in varying ways. This is after she knew perfectly well what really happened, because Ned says Sansa had already told him the truth of what Joffrey did while Arya was still missing. However, it would also be unfair to completely chalk this up to Sansa’s idiosyncrasies. We have to put her flip-flopping in the context of the situation as well. She’s also experienced a gutting loss with Lady’s death and the fact that the first blow to her innocence was her father volunteering to put Lady down. She doesn’t have Catelyn to go to with her confusion and hurt, and Ned has largely been silent. She’s also still engaged to Joffrey through all this, this is still a patriarchy, there are political ramifications to speaking against a crown prince, and she doesn’t know how to deal with seeing such cruelty and vindictiveness in her future husband. Especially when he responded to her tender concern and wanting to help him with venom and hate.

I mean, jeez, she’s 11. I don’t expect an 11 year old to understand how to identify the signs of emotional manipulation or see how this situation can escalate into domestic violence. Just because Sansa can’t articulate what is happening within her relationship with Joffrey, doesn’t mean she has blocked out any notion that Joffrey can turn his anger on her. Part of the reason she misplaces blame on Arya (and rewrites what happened) is because Joffrey turns scornful of Sansa for being a witness to his emasculating shame. He punishes her with the cold shoulder because she didn’t immediately take his side and pretended not to see instead. He regains power through making Sansa feel small and fearful of his moods.

“He had not spoken a word to her since the awful thing had happened, and she had not dared to speak to him.” -- Sansa II, AGOT.

Sansa looked at him and trembled, afraid that he might ignore her or, worse, turn hateful again and send her weeping from the table. -- Sansa II, AGOT.

This is coming from someone who is supposed to love her and someone she will spend the rest of her life with. To fix things, she must be unequivocally on Joffrey’s side going forward or suffer the consequences, which we can see happening as her story completely flips over breakfast sometime later. This is not saying Sansa is fully exonerated from not supporting her sister when she needed her, but that it’s understandable how she arrived at this point. Even when things start to get really bad after Ned’s arrest, Sansa still holds out some hope that she can appeal to Joffrey’s (and Cersei’s) love for her to get him to be merciful. Is it really her fault she believed a part of Joffrey really loved her (and thus was reachable by her pleas) if he also heavily love bombed her and treated her like she was the most special girl in the world? Love bombing is a classic feature of the seduction phase leading up to abuse.

So we can see Sansa does ignore truths and rewrite events sometimes and her personality is a factor; however, the context surrounding it matters a lot. Post Ned’s execution, Sansa does a full 180 regarding Joffrey and Cersei.

Sansa stared at him, seeing him for the first time. He was wearing a padded crimson doublet patterned with lions and a cloth-of-gold cape with a high collar that framed his face. She wondered how she could ever have thought him handsome. His lips were as soft and red as the worms you found after a rain, and his eyes were vain and cruel. "I hate you," she whispered. -- Sansa VI, AGOT.

Once she had loved Prince Joffrey with all her heart, and admired and trusted his mother, the queen. They had repaid that love and trust with her father's head. Sansa would never make that mistake again. -- Sansa I, ACOK.

"A monster," she whispered, so tremulously she could scarcely hear her own voice. "Joffrey is a monster. He lied about the butcher's boy and made Father kill my wolf. When I displease him, he has the Kingsguard beat me. He's evil and cruel, my lady, it's so. And the queen as well." -- Sansa I, ASOS.

There’s also her conscious efforts to push away thoughts of her dead family and Jeyne Poole, but she states why she does that. It’s traumatic, the tears start flowing uncontrollably, and she is desperately trying to avoid falling into another suicidal depression. Her survival in KL depends on her holding it together and appearing loyal and obedient to Joffrey. Mourning her loved ones would imply to Joffrey she is plotting treason. Besides, she knows that even if she did ask Cersei or LF about Jeyne, she has no reason to believe they’d do anything but lie to her face in a patronizing way. There’s no point being plagued with wondering what the truth might be when she can’t do anything about it. Still, she prayed for Jeyne wherever she might be. She genuinely thought Arya had made it to WF on the ship and was safe at least until she got word of her brothers’ deaths and her home being sacked by the Iron Born, though there was initially a touch of projection and fantasizing about Arya being free while she remains captured. As of Feast, she believes she is the last Stark left alive and she has no one but Littlefinger to help her. So while she is suppressing her grief, it’s done with good reason, and it’s not being replaced with any false narratives to cope.

We also cannot ignore that her relationship to Sandor Clegane has instilled in her an appreciation for the un-sugarcoated truth now that she has experienced betrayal and injustice first hand. In his own way, he’s encouraged her to listen to her own inner bullshit detector. The rose-tinted glasses have become a lot more clear compared to where she started. This is a newly learned skill though, and her self-confidence has been wrecked by internalized verbal abuse. She’s also been left on her own to figure out people’s intentions by herself, which runs parallel to her mounting desperation to get out of KL as Joffrey’s violence escalates. Developing a touch more of a jaded, skeptical side does sometimes clash with her enduring idealism and faith in other people (like with the Tyrells). This struggle is not a bad thing. The goal isn’t to become as cynical as the Hound, but to arrive at an earned optimism that has been tempered by wisdom and practical experience.

Her situation with Littlefinger is much more challenging than anything she faced in KL. He moves her where he wants her to go with complex web of lies, manipulation, grooming, isolation, coercion, dependence, guilt and shame. Her safety and desire to go home are tightly bound to being complicit in his lies and criminal activities. She feels indebted to him for getting her out of KL, even though his methods push her past her boundaries and force her to compromise her moral integrity. The thing is, there are things Sansa does know about LF, but she doesn’t seem to be ready to try and put the puzzle pieces together. She’s not daring to ask probing questions about Lysa’s reference to the “tears” and Jon Arryn or about the possible dangers of Maester Colemon prescribing sweetsleep for Robert’s convulsions. While the subject of Jeyne’s fate is still one she doesn’t want to revisit, somewhere in her mind she does know LF took custody of her friend. If it feels like this is somewhat of a regression back to her early AGOT self, there’s probably some truth to that; however, it’s perfectly okay for positive character arcs to be an imperfect progress. There can be relapses, regressions, setbacks, missteps, and misguided actions. All that growth isn’t lost. Everything she knows is just stored in the back of her mind, not forgotten completely. The general trend line moves her toward successfully confronting Littlefinger with the truth when GRRM is ready to pull the trigger. She’s definitely aware of Littlefinger lying to her more than she lets on and she knows his help is not out of the kindness of his heart, but motivated by what he wants her to be to him. But it’s not like she has the option to go anywhere else, does she? She’s a wanted criminal with a bounty on her head and has no other friend or ally in the Vale she can trust with the truth of her identity. Confronting LF without any means of neutralizing his power over her isn’t the smartest thing to do when he’s shown her he can literally get away with multiple murders. Again, it’s not just her personality that makes her hesitant to pull back the veil and face the horrible truth head on. The outside forces pressuring her perceptions and behavior cannot be discounted either.

#valyrianscrolls #sansa stark meta #sansa stark #joffrey baratheon #sandor clegane #littlefinger #cersei #asoiaf characterization #the unkiss #character arcs #my meta #anonymous

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wherearemyglassesbro · 4 years ago

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How did each character get their vision in your Genshin Impact AU?

YEAHHH BABEY LETS GOOOO!!!

Some key terms so everyone can be included even if they haven’t played Genshin!

Visions: “The one thing that is known for certain is that Visions are conduits for their associated elements. However, the means by which Visions allow their wielders to harness elemental energy, and what is exchanged for this power, is a mystery.... When a god has deemed a person worthy of a Vision, there are two ways they can receive it: A new Vision appears before them in the blink of an eye, or an old Vision from a now-deceased person can be reawakened by resonating with someone else. It is also suggested that an active Vision can be abandoned and taken up by another person, but how exactly that works is unknown.” -the Genshin Wiki

Mondstadt: modeled after Germany

Liyue: modeled after China

Knights of favonious: an organization of knights within Mondstat, they act as peacekeepers! Helpful people!!

Hilichurls and Ruin Guards: common enemies found in the wild

Abyss Order: an organization of evil, fuzzy mages

The Fatui: all you really need to know about them is that they’re also an evil organization but...humans not monsters

Cryo: ice, Anemo: air(I realize I forgot this in the last post oops!), Geo: rock, Pyro: fire, Electro: lightning, Hydro: water, Dendro: nature

——————————————

Arthur(Dendro): Arthur never thought he’d get a vision. His oldest brother, Alastair, got a Pyro vison when he was 10. And his youngest brother Peter got an Anemo vision when he was 7. Arthur waited and waited and was totally convinced that he’d be visionless. But that’s fine! Plenty of people don’t have visions. His own parents and uncles didn’t even have visions! When Arthur left home at 17 to go to Mondstat to study, his travels were extremely lonely. He had to walk the whole way there, living with just the clothes on his back and a rickity tent to sleep in. He lost motivation about halfway through his trip, breaking down crying beside a big, mossy rock. The Dendro Archon pitied him and slipped a vision into his hand while he rubbed his face. The moss from the rock settled around his shoulders to hug him...And he was just...overcome with joyful sobs. The fact that the Dendro Archon had so much faith in him??? Wow...That’s what kept him going all the way to Mondstat, trudging up the stone steps to collapse on the smooth stairs of the Knights of Favonious’s Headquarters. He’s worked for them since then, receiving tutoring and now working full time as a translator :) since he received his vision, he’s grown leaves out of his head and his freckles turned green. He was born with snake eyes :)

Alfred(Pyro): Alfred and Matthew got their visions the same day. The two were allowed to go adventuring by their parents. They could go anywhere they want as long as they got home bedore dinner time! Alfred, the more energetic of the two, would always run ahead and drag Matt around to new, interesting outside their city. They often went to play on nearby ancient ruins, digging up old artifacts and playing with broken swords they found in the dirt. But one day, they stumbled upon a ruin guard. The machine sat, covered in vines. They assumed it was no longer in service and Matt climbed on top of it to try to pry the head open but uhhh it came to life and literally tried to kill them. It threw the twins hard against a wall and it crumbled, falling on top of them. The gods saw what happened and froze time for a few seconds to place visions into their hands. Alfred woke up very scared but this new power...was reassuring. He realized the gods were on their side! That was the best day of his life. He still goes on adventures! That day inspired him to keep going and to help others :)

Matthew(Anemo): Matthew received his vision at the same time as Alfred. The two were in a great deal of danger and the gods really did take pity upon them. But the Pyro Archon did not think that Matthew would be a good candidate for a Pyro vision. So the Anemo Archon stepped in and bestowed an Anemo vision upon the older twin. Matt was quite literally blown away by his own newfound ability to wield the wind. Together, the twins were able to create a fire tornado which blew the ruin guard off its feet, giving them enough time to sprint away. The slow, rusty beast unable to follow. That day was pretty traumatic for Matt because....he almost died....But hes grown so much since then. The twins were only 12 when they got their visions. He still has no desire for hand to hand combat, that’s why he practices alchemy :)

Francis(Hydro): I find every excuse to bring Jeanne into my AUs just to give Francis some spicy trauma (that’s a joke please don’t come at me). Francis was visionless but Jeanne was gifted her Vision from the Hydro Archon when she was 10. Jeanne was noble, loyal, helpful and kind. The Hydro Archon thought she was worthy of their power! Jeanne got very sick when she was 12 and her condition worsened until she peacefully passed when she was 15. Francis was ruined by her death. Her parents have him her vison. It died with her but carrying it with him and hearing the little bell on the end jingle was comforting. The following year, on the anniversary of her death, he sat under the moonlight singing her favorite song. The Hydro Archon’s heart broke for him and as he sang, they deactivated the vision. Francis cradled it in his hands and cried, his tears dripping down his face to collect in a small floating pool over the ground. In her honor, he learned to artfully wield water, having it swirl around him and his crew while they performed. Even though he knows the Hydro Archon brought it back for him, he likes to believe that Jeanne is providing him with strength and support from beyond :’)

Ivan(Cryo): Ivan has been a nomad almost his entire life. He travels all around to study hilichurls and their way of life. He’s lived with tribes of hilichurls, learned to write and speak their language, learned their style of finger paintings and carvings, cooked with them...Hes participated in almost all aspects of hilichurl life and in return, he provides them with plenty of boar meat and protection. He lived with a tribe in Dragonspine, the coldest area in all of Mondstat, and despite frostbite nipping at his fingers, he’d still go out of his way to hunt for the tribe. While hunting, he saw a saw a dull blue blinking under the snow. He stuck his hand down there and found a woman who had frozen to death. Her ghost greeted him and assured him that she wouldn’t hurt him. She explained that she’d been missing for years and thanked him for finally finding her. She gave him her Cryo vision and he went down the mountain to get others to come back with him to retrieve her so she could be properly buried at the Church of Mondstat where she belonged. Now Ivan can shatter ice at his own will, the woman had been very weak with her vison but he built it up to be stronger and work with his own style of fighting and living. When he lives with tribes in warmer areas, he makes popsicles for the hilichurls so they can cool down :D

Yao(Dendro): Yao grew up waaaay outside of Liyue Harbor. He wasn’t rich but he wasn’t poor. His grandparents had a silk flower farm where they just grew tons of silk flowers, even making their own perfumes too. Yao’s parents inhereted the land when they got married and intended for Yao to carry on the legacy of the Wang family perfumery but the Fatui seized the land and kicked the Wang family off of it. His grandparents passed and his parents retired to Qingce Village to live out the rest of their years peacefully. They offered for Yao to come but he refused, wanting to return their name to its rightful glory! He worked in many shops as a delivery boy, cleaned the streets, took commissions for deliveries outside of Liyue Harbor. He worked HARD in order to buy a shop right in the center of the city. The Dendro Archon admired his perseverance despite him being so young! And while he slept, he reactivated Yao’s grandmother’s Dendro vision, leaving it on the pillow next to his head. Yao nearly passed out when he woke up and saw it!! It was the surprise of a lifetime! He ran as fast as he could until he was out of the city, standing on one of the rocky hills overlooking Liyue Harbor. He held his grandma’s jade polearm in his hands and slammed it into the rocks, screaming joyfully as they split and vines rose up around him, flying every which and cracking like whips! He’d learn to control the power passed down to him and make his grandparents proud :’)

Kiku(Electro): Kiku’s father is a badass. He lost his eye in battle and keeps his vision orb in his eye socket. So he has one, normal brown eye and one bright purple eye with the Electro symbol in it. If that isn’t intimidating....I don’t know what would be. Kiku always wanted to be like him, his father is his role model. He doesn’t have a mom so his dad raised him to be a badass but...a more subtle badass. Kiku’s family was apparently full of Electro vision wielders so he hoped he would get one too! His father told him about his uncles and grandparents having Electro visions and how they worked together as an unstoppable team! The way Kiku earned his vision...Was not what he had in mind. He worked as a patrol soldier when he was 18, making sure the border of his country was safe. He and 12 others were approached by Fatui guards and pretty much....slaughtered. Kiku’s close friend had gotten his Vision when he was 8 after inheriting it from his great grandmother. It was apparent that his friend wouldn’t make it. After a tearful goodbye, his friend passed his Vision onto him. Kiku wears his vision proudly, a symbol of eternal trust and friendship. Kiku now works with the Fatui, profiting of off their greed more than even they know. He hates them but by working with them, he’s keeping the locals safe.

Lovino(Pyro): Lovi’s story is kinda sad. Grandpa Roma’s vision was meant to be his because he’s the first born grandson but the vision rejected him. It never turned on. Lovino became so frustrated that he passed it over to Feli...And it came to life within a week. Lovino felt betrayed, angry and resentful towards his brother. It wasn’t fair!!! How could this happen? So instead, Lovi rejected the Hydro Archon and built a shrine for the Pyro Archon. He made offerings of flowers, stew, chili peppers, wine, anything he could get his hands on. He sat in saunas to develop a tolerance for heat and trained until he was almos passed out. He prayed and did everything he could to get the Pyro Archons attention but still, he didn’t get a vision. By now, Feli had his own vision for three years and was mastering archery. Lovino had enough. He gathered twigs and weeds, stomping out into a clearing “Hey! I know you can hear me! What do I have to do to prove myself to you? I’ve done everything I can! Are you too afraid to give it to me? Huh??? Pussy! Fucking let me-“ uh oh. Now the Pyro Archon was mad. They decided to give him a chance, they could always take it away or kill him if he failed. The vision appeared in his palm and the weeds in his hands burst into flames. He screamed in agony, his arms on fire now. He kept off of a nearby cliff down into the ocean to put out the flames....but he had it. A vision...He’s been ruthless since then. Owning a flower shop and kicking ruin guards asses when they stomp around in the flower fields

Feliciano(Hydro): Feli has always felt guilty about his vision. It was meant to be Lovino’s but it awakened for him instead. He trained when Lovi wasn’t around, everything he did was subtle and quiet because every glimpse of his vision angered his brother. Feli didn’t want that, he wanted them to be close again :( he got lonely when his brother was gone and sound talk to his Vision the way he used to talk to Grandpa Roma. He’s grateful that he received his grandpas vison though!! It was very powerful when it was with Roma but with Feli, it’s significantly weaker because he just doesn’t have the same battle experience. He doesn’t even want it anyway. He is a peaceful guy who enjoys archery and singing in the church choir :) he has no desire for violence the way his brother does.

Ludwig(Geo): Ludwig inherited his fathers vision. He’s still alive but after losing an arm while on knight duty, he retired and gave his vision to Ludwig. The vision easily accepted Lud as its new owner, glowing brightly every time he touched it. The Geo Archon likes strong, loyal and intelligent people and Lud perfectly fits those preferences. Lud was 18 when he got his father’s vision so by now he had already been a knight in training for the knights of favonious! After intense training and an obscene amount of testing, he became a full blown knight capable of fighting monsters when need be. He’s very respected by the civilians of Mondstat and truly makes his father proud.

Gilbert(Pyro): Gilbert has broken many laws in his time and breaking into a very dangerous ruin was probably the best thing he ever did. He found tons of crispy, burnt skeletons in there and lots of fire flowers who spat sparks at him as he walked by. In a bigger flower...He saw a glint and thought ‘Aw yeah!! There’s a gemstone in there! That’s gonna be worth so much money!!!’ So he stuck his hand right into the smoldering flower, getting 4th degree burns as he ripped an ancient vision out of it. The thing had to be centuries old. It’s gold casing was bent and covered in dried blood both Gil’s and whoever else had owned it before. When the vison came to life in his hand, he could feel tbe the energy within was very old... it was later determined that it was likely one of the first batch of visions gifted to the human race by the Archons! Historians tried to buy it from him. It for once, Gil set his greed aside and kept the vison for himself! The vision radiated happy energy at that so he assumed that it was happy he kept it

Please ignore the spelling errors or I will barf 🙂

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